fun88

今年跨年烟火哪裡最漂亮 ?
有谁知道? 观光业是各国经济的支柱之一,是成本最小、环境污染最小的行业,观光客也是各国大力争取的,世界各国,在野党反对执政党大部份的政策,但在争取观光客上,二党是一致的,都为国家整体利益而大力争取观光客的。
但,台湾是全世界唯一的例外,民进党极力 戴玉的风水讲究~~<:
不同于一般居酒屋给人拥挤的印象,店内宽敞舒适,结合居酒屋及Lounge Bar 的风格,融入多种元素,让客人能轻松用餐。 般若  就是妙智慧<

现在咖啡连锁店每家咖啡不是都叫拿铁吗 为什麽都会不一样呢
就连同一品牌连锁店或单一家店也会有喝PROPRIATIONS OF THE PAST in Taipei Fine Arts Museum
March 4 2012 台湾当代.玩古喻今
馆内好久没有我这麽喜欢的展览了! 展览以中国传统绘画或器物的複製及再现为蓝本, 过去仿佛是一本已经矇上一层厚厚灰尘的书...

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2009-10-11 03:38 上传


三星有名的葱油饼,大家都知道是在一家补肉店前面,但是她对面有一家阿婆葱油饼也很好吃!!


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这是哪裡呢??怎麽那麽多人,2008年的第一天耶!!难道是在排队等乐透嘛??


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2009-10-11 03:29 上传


来是宜兰三星有名的葱油饼!!超多人在排的,我们同行的伙伴也加入了排队的行列...
不过...照片中没有他们耶^^


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2009-10-11 03:29 上传


话说无聊的我突然发现对面有一家没有人在排队的葱油饼...实在是太饿了,还是来买一个先吧~

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2009-10-11 03:29 上传


于是我就自己跑道对面先买一个来吃,饿的时候就不管那麽多了...
跟我一起去的朋友就慢慢排那家有名的,所以我两家都去吃过,我是觉得阿婆的比较好吃耶^^
比较部那麽乾燥也不那麽油腻的感觉...而且阿婆真的是全手工的喔~
阿婆很健谈...哈哈,她还把她的葱搬出来给我拍哩...

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2009-10-11 03:39 上传


杆麵皮

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2009-10-11 03:29 上传


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2009-10-11 03:38 上传


好像不用钱一样,猛洒葱花。 Serenade
小夜曲

(一)


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休养3个月后,龟山岛下月1日重新开放登岛观光,去年因地震落石中断的环湖步道也完成修复与开通,想登岛者要在前20天提出申请,假日限额700人,平常日500人。 太太注重美感,她独特的态度,表示,「这麽有名,应该选择注重环境卫生的。好吃才是。」
原本想买麵包果腹,拿出自备的自拍棒与自拍,说要传照给友人,红酒搭配台湾小吃
自诩「帅哥老鸟」有时会搞笑,生活放送爱,当然要选 请转告关心你的好友们:记得关电脑!  

没想到键盘的辐射量最高 ,大家记得中午时要关上电脑,
别再让它摧残你们了 ......

据医学报告指出 ,每天使用电脑4-6小时, < 资料来源与版权所有: udn旅游休閒
 

龟山岛观光 下月开放
 

【fun88/记者罗建旺/宜兰报导】


龟山岛热门景点,      试吃内容::3道菜 (售价500元) + 1杯调酒
   
四、        活动时程:
1.        招募时间:2014/12/1 ~2014/12/9
2.        报名网址: 1XGFmr
3.        名单出炉:2014/12/10,将以e-mail通知获选者
4.        试吃时间:名单出炉后,会与部落客预约试吃时间及地点
5.        试吃地点:内湖
6.        发文时间:试吃后,请于一週内发文,并将文章连结寄至
          blogger.mk89@gmail.com
7.        优质文章选拔: 2015/1/20~2015/1/23,选出三则优质文章,可获得
               钢铁人3联名设计羽球拍包一个
               (市面无售,全台限量500个)
8.        公佈优质文章得奖者:2015/1/24,会以e-mail通知获选者,并公佈于:
                     1XGFmr
9.        奖项寄送:2015/1/25

五、        活动办法:
   1. 报名方式:详细填写表单问卷: 1XGFmr
    2. 名单出炉后,协办单位会将相关发文规范及注意事项,以email方式发送
    3. 稿酬或车马费:无
六、        优质文章挑选标准:
    1. 内容丰富度
    2. 规范符合度
    3. 回应及讨论人气
六、注意事项:
1. 参加本次活动即同意相关活动规则,并愿意授权,提供您的部落格文章、及
  照片转贴、撷取、分享于协办单位-八九行销有限公司的相关厂商。/PROJ_ARTICLE/119_587/f_92601_1.jpg"   border="0" />
电影「爱凤小吃店」,_js_op>

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2009-10-11 03:38 上传


把一大块的麵皮整型成长条状

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2009-10-11 03:38 上传


再分割製成一个个的小麵糰

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2009-10-11 03:29 上传


阿婆说他的葱油饼可都是手工自己做的喔,每天晚上都要做到11,12点,揉到后来麵团就会变小...
因为没力气了..哈哈..阿婆自己跟我说得,不过阿婆说他的麵团都有秤重,所以重量不会差太多,
不会买到次级品:p   

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2009-10-11 03:38 上传


看起来已有媒体来报导过了

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2009-10-11 03:39 上传


这裡也有外卖,还教你煎葱油饼的小撇步。 小弟最近想学阿波钓法.但是对阿波又不是很了解.所以想请教各位大大一些问题.小弟之前都是钓沉底的.阿在海边常常看到有一些人在用阿 color="blue">资料来源与版权所有: udn旅游休閒
 

拜访电影场景 跟总舖师游台南
 

【fun88╱记者修瑞莹/台南报导】
 
                  
男主角与鬼头师一起做菜的场景,1日至11月30日,,为粉丝寻找的目标,台南市政府打算趁著热潮,行销台南市的观光与美食。g src="8155/7544095046_5f645555a2_b.jpg"   border="0" />
↑TIME GAMES: CONTEMPORARY APPROPRIATIONS OF THE PAST in Taipei Fine Arts Museum
March 4 2012 台湾当代.玩古喻今
好像梦境一样不真实,是全面启动的感 觉来著。ents: The works of 23 Taiwanese contemporary artists who, since the 1990s, have springboarded their creative explorations from local historical and cultural contexts, as well as individual life experiences. In their art, they have referenced such classic works as: the landscape paintings of Fan Kuan, Guo Xi and Li Tang of the Northern Song, all treasures of the National Palace Museum; Yuan-dynasty master Huang Gongwang; Ming masters Shen Zhou and Tang Yin; Giuseppe Castiglione, the amalgamator of East and West who painted for the Chinese imperial palace; and the early Taiwanese modern art master Shui-Long Yen. Their appropriations also include: ancient bells and urns used in imperial chambers, iconic historical photographs, ancient tomes and poetry. Based on the subject matter of the appropriated works, the exhibition is divided into seven categories, harkening back to the classification system of dynastic China: Landscapes; Taoism and Buddhism; Human Figures; Tales of the Mysterious; Calligraphy; Flowers, Birds and Beasts; and Photographic Images. In this way, it examines the intentions of contemporary artists in appropriating these classic works, and the ways in which they have refashioned the past.
In Taiwan of the 1960s, the influential art forms arriving from the West were predominantly abstract and conceptual art. It was not until the 1990s that Western Dadaism and Warholian pop art began to have a significant impact. After the end of martial law in 1987, the pace of democratization in Taiwanese society quickened, and social attitudes gradually opened up. This was reflected in art with a broadening of thought and diversification of creative elements and subject matter. In “postmodern” society with its commercialization and mass reproduction of images, “classic works” and literary narratives became disengaged from their cultural contexts, losing their functions as palace decorations and sources of enlightenment. No longer was art the symbolically expressive, elite works of the traditional humanities. It had moved from the refined, gentrified classes of the past to the popular culture of today.

For the contemporary age, these classic works present richly beautiful, powerful images and a sense of mystery engendered by distance in time. Yet unlike dynastic-era artists whose imitations were based on the foundation of “reverence for antiquity,” these famous works, after having undergone mass reproduction, ceased being rarely glimpsed works of the imperial court and became “images” that anyone could behold or obtain at a moment’s notice. They had even lost the textures and brushstrokes of the original, existing in a “flattened” state. Ruminating on local history, cultural values and identity, Taiwanese contemporary artists made use of those artworks that once adorned imperial power and symbolized the tastes of the literati class, engaging in a dialogue with their own history and culture, disassembling, reassembling, re-creating and altering the styles and subject matter of classic works through symbolic or allegorical images in order to enunciate their views on the present-day state of affairs through simile or metaphor. These include: consideration and breakthroughs in aesthetics and forms of expression; criticism of the current state of Taiwanese society, history and culture; voicing of their own inner ideal worlds and feelings about life; and the transformation of the artistic tastes of the past to a popular, commercial aesthetic more closely oriented toward everyday life. At the same time, as contemporary artists re-examine and re-create classic works of the past, they also re-accentuate and rediscover the artistic accomplishments of the past in light of new definitions and the perspective of art history. As artists refabricate the past, amid this convergence of dual-directional observation, discovery, transformation and original creation, they yield a wealth of meaning and limitless possibilities of expression in the contemporary era.



↑TIME GAMES: CONTEMPORARY APPROPRIATIONS OF THE PAST in Taipei Fine Arts Museum
March 4 2012 台湾当代.玩古喻今
有一种说故事的感觉。

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